May 17, 2012

click photo for full-size image
photo by Donald Kinney

No, it's not one of my typical reflection shots from the Lagunitas Creek, but rather the lake at San Francisco's Palace of Fine Art, oh so early in the morning.

click photo for full-size image
photo by Donald Kinney

The Palace of Fine Arts is an important part of San Francisco’s rich history and a symbol of the spirit that makes San Francisco “the city that knows how.“

After the devastation of the 1906 earthquake and fire, San Francisco was anxious to show the world that it had risen from the ashes. So in 1910, business and civic leaders gathered to discuss making San Francisco the site of the century’s first great world’s fair — a grand exposition that would honor the completion of the Panama Canal. In just two hours, they raised $4 million — and beat out competitors New Orleans and Washington, D.C., to host the 1915 Panama Pacific International Exposition.

Built on 635 acres reclaimed from San Francisco Bay, the exposition featured 11 great exhibit palaces showcasing objects from every corner of the globe, more than 1,500 sculptures commissioned from artists all over the world, 65 acres of amusement concessions, an d an aviation field. Twenty-one countries, 48 U.S. states, and 50 California counties mounted displays in the exhibition’s grand pavilions.

Widely considered the most beautiful structure at the exhibition, the Palace of Fine Arts — housing art from Renaissance to Modern — was the work of California architect Bernard Maybeck. Maybeck’s fantastic creation, inspired by a Piranesi engraving, featured a Roman ruin reflected in a pool. According to Maybeck, this ruin existed not for its own sake but to show “the mortality of grandeur and the vanity of human wishes.” Like other features of the fair, the Palace was intended as ephemeral; at the close of the exposition, it would come down.

On opening day, February 20, 1915, 255,149 people walked through the entry gates to experience the first world event of the 20th century. By the time the exposition closed nine months later, more than 18 million people — about 20 times the population of San Francisco at the time — would visit the exposition. And when this spectacular festival came to a close with fireworks and a solitary bugler playing taps, by all accounts, the crowds wept.

But when the exposition ended, the Palace lived on — saved from demolition by the Palace Preservation League, founded by Phoebe Apperson Hearst while the fair was still in progress. Today the Palace of Fine Arts is the last reminder of a great gathering that welcomed the world back to San Francisco, and it continues to hold a special place in the hearts of Bay Area residents and visitors. The Palace is truly a landmark to love.
(source and apologies to:

click photo for full-size image
photo by Donald Kinney

• 635 acres of land reclaimed from San Francisco Bay
• $50 million in construction
• $50 million more in intrinsic value of objects exhibited
• 21 countries, all 48 U.S. states, and 50 California counties represented
• 1,500 statues
• 65 acres of amusement concessions
• 255,149 visitors on opening day, February 20, 1915
• 18,876,438 visitors during the nine months of the fair
• 50 cents admission for adults; 25 cents for children
• $4,715,523.05 in total revenue generated

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photowannabe said...

Totally beautiful.
You reign as the water reflective King.

AphotoAday said...

Thanks PHOTOWANNABE SUE, You know, I took those hand-held at about 1/30sec with my ISO turned up to 6400. Too lazy to use a tiripod. Being so pixelated, I'll never be able to make big prints, but I like little JPEGs anyway. I'd rather look at a photo on a computer screen rather than behind glass hanging on a wall, to tell you the truth. The dynamic range of tones is more extensive with transmitted light. Reflected tones tend to be dull. So, that's my story and I'm sticking to it... Don

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